Unbreakable

The slow pace of this movie just about made me scream. Ok, I understand that some movies have an intentionally slow pace for effect, but this movie didn’t need it. For example, there’s a 5 minute scene where Bruce Willis figures out he can lift more weight than he thought. It just didn’t need to be so damn long. I dunno, maybe I’m just an impatient media glutton.

 

U-571

I had really expected this to be a good movie, it was entertaining, but I’d hesitate to call it good. It was really predictable & overplayed the tension – like the actor’s tension was more important than what was going on in the movie… I guess that means I think it was overacted? I dunno. If you want to see a good WWII submarine movie, see Das Boot.

 

Twilight Zone: The Movie

It was Ok, but it could just as easily have been a TV special. So many have tried to redo Rod Serling’s famous formula, but I have yet to see it work. What made the original show so special was Rod’s commentary at the start and finish of each episode, not necessarily the episodes themselves. He had a way of pointing out the essence of the story without talking down to the audience or coming across as a nerd.

 

The Truman Show

Jim Carey is an arrogant dork. He was funny once, but now he’s just so damn full of himself that I can’t even stand to see him. This was supposed to be his big breakthrough role or something, but I just thought it was dumb. It just didn’t get past my suspension of disbelief filter. The plot of this movie would never EVER happen!!! NEVER! I had a hard time taking anything in it seriously since I just couldn’t get past that simple fact.

 

Troy

All the younger actors in this movie were great – I really liked Brad Pitt in it (and Eric Bana, etc… even that wimply guy who woo’d Helen was OK). But the older Kings? They were too “unkingly”, and “unwise”. Maybe that was part of the point, but it really made the movie frustrating to watch. As for its adherence to the “true story”? Get over it! It’s not a truly told story anyway, so who cares? People who get all worked up about “the classics” miss the point I think. The classics were never classics when they were written – they were just the pop fiction of their day.

 

The Triplets of Belleville

A woman cures her son’s malaise with the gift of a new bike, then molds him into a mid-rate champion bike racer, only to have him kidnapped by a mafia boss who hooks him and two other bicyclists up to a machine that makes them race against each other so other mafia types can gamble on the outcome. His only hope of rescue lies with his mother and overweight dog, who fall in with a group of aging lounge singers that now perform music on houshold appliances and subsist on a diet of frogs which they acquire by exploding dynamite in a swamp. It’s amazing what one must dream up to make an original movie these days. This dream is worth getting lost in for a couple hours at least…

 

Traffic

4 different takes on the drug “trade”. It was a bit overly-dramatic and preachy at times, but still worth a watch. Some scenes and bits were very watchable. I especially liked the actor who played the Mexican cop. By the end of the movie, I couldn’t help but think… “so what’s the solution?” Someday, this issue will settle… it may take a hundred years or more, but someday… So, how do we get from here to there? is there any way to speed the process? or do we just have to wait for history to unfold and tell us the plan?

 

Toy Story 2

This was probably just as good as the first, but it suffered just a little by being a sequel – the characters weren’t as new and fresh, I knew what to expect going in. Although, I guess every sequel has that… that’s why they’re sequels in the first place. Ok, so it was incredible too.

 

Toy Story

Every so often a movie comes along which completely redefines what cinema is. I had been waiting for a 100% computer animated movie for years. What makes this movie absolutely amazing is that it’s a great movie regardless of the animation. The animation just made it totally classic.